The Jesus and Mary Chain will be heading out on a North American tour with the Psychedelic Furs later this year.
The tour kicks off in Philadelphia on September 29 and will see the band take in numerous cities across the continent in October and November.
They will then wrap up at the YouTube Theater in Inglewood, California on November 11. Also opening for them alongside the Psychedelic Furs will be Frankie Rose.
Check out the tour dates below and buy your tickets here.
SEPTEMBER
29 – Philadelphia, PA, Franklin Music Hall
OCTOBER
1 – New Haven, CT – College Street Music Hall
2 – Boston, MA – Orpheum Theater
4 – New York, NY – The Beacon Theatre
5 – Brooklyn, NY – The Brooklyn Paramount
6 – Washington, D.C. – The Anthem
8 – Rochester, NY – Kodak Center Music Hall
9 – Toronto, Ontario – Queen Elizabeth Theater
11 – Detroit, MI – Masonic Cathedral Theater
12 – Indianapolis, IN – Murat Theatre
13 – Chicago, IL – The Salt Shed
16 – Milwaukee, WI – Riverside Theater
17 – St. Paul, MN – The Palace
19 – Des Moines, IA – Val-Air Ballroom
20 – St. Louis, MO – Stifel Theatre
22 – La Vista, NE – The Astro
23 – Kansas City, MO – Uptown Theater
24 – Salina, KS – Stiefel Theatre
26 – Denver, CO – Fillmore Auditorium
29 – Seattle, WA – Paramount Theatre
30 – Portland, OR – Crystal Ballroom
NOVEMBER
1 – Redding, CA – Redding Civic Auditorium
2 – San Francisco, CA – The Masonic
3 – Reno, NV – Grand Sierra Resort Grand Theatre
6 – Riverside, CA – Fox Performing Arts Center
8 – San Diego, CA – The Rady Shell at Jacobs Park
9 – Inglewood, CA – YouTube Theater
In other news, The Jesus and Mary Chain and Robert Fripp are among the artists who have launched a lawsuit against the PRS over songwriter royalties.
The case is centred around how the organisation handles royalties from live performances, with the artists accusing the PRS of levying high administration costs for smaller songwriters while giving preferential treatment to bigger acts.
The group of songwriters have joined forces with PACE Rights Management, a global operation that covers direct licensing of live public performance rights (the right to publicly perform a composer’s music and/or lyrics by way of live performance), in the case.
The group are also pushing for the right of music writers and publishers to efficiently direct license their live public performance rights, without having to go through the PRS.